50 Shades of Black Music & The Anthem: Academic Mixtapes for the Mind and Soul

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50 Shades of Black Music - The Mixtape

This compilation was researched and compiled by Kwame Phillips, a doctoral candidate in anthropology and films studies at Emory University. Each digital release is accompanied by artwork created by Atlanta based artist C. Flux Sing exclusively for 50 Shades of Black.

This compilation was researched and compiled by Kwame Phillips, a doctoral candidate in anthropology and films studies at Emory University. Each digital release is accompanied by artwork created by Atlanta based artist C. Flux Sing exclusively for 50 Shades of Black.

Six Months ago 50 Shades of Black released our signature Mixtape: 50 Shades of Black Music curated and compiled by Kwame Phillips and our first Exclusive Signature art piece by C. Flux Sing to accompany it.  (10 Limited Edition Giclee Prints Available)

Showcasing the history and rich diversity of 'Black Music' in America and throughout the diaspora this Mixtape highlights the forms and styles that have stemmed from global black experiences. In the tradition of the medium, this volume serves to be a gift, from older generations to new, between friends, from parents to children. We aim to represent an intersection between hip hop tradition and scholarship by offering an Academic Mixtape -one where one could both nod their head and feed their mind.

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Anthem: Social Movements and the Sound of Solidarity in the African Diaspora 

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Following the success of the 50 Shades of Black Music Mixtape, Phillips teamed up with Dr. Shana L. Redmond, Assistant Professor of American Studies and Ethnicity at the University of Southern California to create another Academic mixtape titled ANTHEM.  The mixtape accompanies Dr. Redmond's book of the same title (2013 NYU Press, 356 Pages).  Also available on Amazon.

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For people of African descent, music constitutes a unique domain of expression. From traditional West African drumming to South African kwaito, from spirituals to hip-hop, Black life and history has been dynamically displayed and contested through sound. Shana Redmond excavates the sonic histories of these communities through a genre emblematic of Black solidarity and citizenship: anthems. An interdisciplinary cultural history, Anthem reveals how this “sound franchise” contributed to the growth and mobilization of the modern, Black citizen. Providing new political frames and aesthetic articulations for protest organizations and activist-musicians, Redmond reveals the anthem as a crucial musical form following World War I.

Beginning with the premise that an analysis of the composition, performance, and uses of Black anthems allows for a more complex reading of racial and political formations within the twentieth century, Redmond expands our understanding of how and why diaspora was a formative conceptual and political framework of modern Black identity. By tracing key compositions and performances around the world—from James Weldon Johnson’s “Lift Ev’ry Voice and Sing” that mobilized the NAACP to Nina Simone’s “To Be Young, Gifted & Black” which became the Black National Anthem of the Congress of Racial Equality (CORE)—Anthem develops a robust recording of Black social movements in the twentieth century that will forever alter the way you hear race and nation.

Kwame Phillips rocking 50 Shades of Black Signature BEAUTIFUL IN EVERY SHADE Shirt and Dr. Shana Redmond in California for the release of The ANTHEM Mixtape

Kwame Phillips rocking 50 Shades of Black Signature BEAUTIFUL IN EVERY SHADE Shirt and Dr. Shana Redmond in California for the release of The ANTHEM Mixtape

Both Academic Mixtapes Available Above

LISTEN. SHARE. CRITIQUE. LEARN. GROW.

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