As a black, gay writer, I’m always happy when I see people from my community planting a flag in the world of media, whether it be behind the scenes, writing or designing, or giving me LIFE in pixelated in pixelated form in glossy pages or on my computer screen.
Earlier this month, I’d heard about a new magazine geared toward the black gay community called The Tenth, the first independently published project from the Brooklyn-based Pink Rooster Studio. Recently my 50 Shades of BLACK cohorts, Carlton Mackey and Chris Barker, and I checked out the online site and we all raved at what came across our screens.
In the past, friends and I have complained about black gay magazines focusing too heavily on the fluff of party scenes, well-oiled Adonis models, flyers, ads, flyers and more ads. But The Tenth, though only offering a glimpse into its pages on the site, seems to skew left of middle and simultaneously travels the roads of art, fashion, sex appeal and literature.
Boasting more than 80 contributors for its first bi-annual issue, which was released on April 10, The Tenth promises offerings from the likes of performance artist Andre Singleton, fashion designer Telfar Clemens, photographers Idris & Tony, activist Darnell Moore, contemporary artist Rashaad Newsome, and literary critic William Johnson.
"We really talk about what's happening now in our culture and have no agenda to represent an image or counter any perception. We just want to play in the sandbox with other exceptional black gay boys and be faggy and angry and smart and silly and beautiful and ugly and radical and perhaps more than anything just learn to trust each other through collaboration. It really has been an incredible experience," said the founders of Pink Rooster studios to Huffington Post.
"The work is born out of our queerness. We know that we, as black gay men will always be forced into a box. This is us coloring that box, and that is a very queer thing. Making anything beautiful, elegant, and joyous," they added.
Yet, most intriguing, so far, is the Courtney Harvier helmed short film "The Masters." Perhaps playing on the layered opening phrase of “I Saw Africa On His Mind,” the stunning visual piece showcases black men, slaves, on the plantations of the south as they work the fields and their master’s home, all the while yearning for the freedom of their homeland, as well as the solace and familiarity of each other’s bodies and hearts. It’s provocative and immediately enthralling and undeniably an awesome teaser for the work that’s the come from The Tenth.
If you want to know more, check out The Tenth website here. And be sure to watch "The Masters" below.